This month's Cool Coop caught my eye because its construction fascinated me... I've seen a few examples of buildings utilizing this method of building referred to as cordwood construction, cordwood masonry or stackwood masonry, but this chicken coop was so unique and creative--I couldn't wait to share it with the Community!
City Art Farm (located in Seattle, Washington). Steve's wife, artist Joan Engelmeyer, manages the urban farm and studio where students create art in the form of several mediums (painting, printmaking, sculpture, collage, sewing, felting, ceramics).--Even the farm and animals are incorporated into the artwork: eggshell mosaics, angora wool from the goats for felting, lavender for eye pillows! Parties at the farm include a special art project and garden exploration. Kids can visit with the goats and check for eggs in the Chicken Castle as well as create a piece of artwork to remember their special day.
Continue reading as Steve goes through the process of constructing a cordwood coop...
Then an eight inch deep trench (should be at least 12 inches deep for colder climates) was dug large enough to accommodate a 6"x12" cinder block. The circle was adjusted to fit whole cinder blocks. Premixed bags of concrete were then mixed in a wheel barrow and a thin layer was shoveled into the bottom of the trench. The blocks were then set in the concrete and leveled. Rebar spikes were driven into the dirt inside the block openings to hold them in place then small strips of metal lath were bent into a staple like shape and placed across the top of adjoining blocks stretching down into the block openings to tie them together. The block openings were then filled with concrete and a layer of concrete troweled on top of the block to bury the metal lath staples and make a level surface. This was then allowed to cure.
While the foundation cured I decided where windows and doors would go. I needed one door for us and one door for the chickens. I decided on six windows for no reason and three vent openings.The frames for the openings have to be constructed before you begin. Each frame needs a mechanical hold around the outside of the frame for the mortar to hold onto. This can be in the form of a strip of wood, nails hammered in part way and bent over, or strips of metal lath screwed into the outside of the frames (metal lath is best--just something for the mortar to grab and hold the frame in place). During this time I also prepped the wood I would use as bricks in the mortar. We just happened to have some cedar logs that had been in the yard for a couple of years. I used a chain saw to roughly slice the logs into six inch wide rounds (disks), thicker would have been better but I only had so many logs and needed as many rounds as possible. Ideally the wood would be cut to size and allowed to cure for a few years in its cut size. After slicing the logs the bark was stripped off each slice. They say it is much easier to strip the bark from the logs when freshly cut. Split wood as opposed to rounds would be much easier to work with when you lay them in the mortar. With the foundation cured (mostly), the frames for openings built, and the logs sliced and bark stripped you're ready to begin building.
An hour or two after laying the rounds it's time to go back and start tooling and smoothing the mortar joints using gloved fingers, blades, and Bondo spreaders (the ultimate tool for this, and never mentioned in any books I read). This is the hardest part of the job, it's probably best not to care, just use a gloved hand and rub out the joints and leave them rough. Being a plasterer by trade I wanted a beautiful smooth joint recessed a half inch below the face of the wood round. It turned out nice but laying the wood and smoothing the joints by yourself was very tough to get the timing right. While the walls are still low it is easy to reach over the top and work the outside and inside of the wall. As your walls get higher it soon becomes necessary to work inside for a while and then go outside to fill the joints with mortar and do any smoothing.
The large joints between the rounds are perfect opportunities for using bottles, rocks, or whatever to help fill the space with something other than mortar. I also used dog bones, shells, vases, a birdhouse, 2x4's, 2x6's and posts. I quickly realized I did not have enough wood rounds to finish the coops and was forced into much improvisation. It is also important to have all your wood laying out so you can pick and choose shapes that fit together and have a good flow. As you progress up the wall be ready to put in your window frames (should you have any) as you reach the desired height. The frames are treated just like the wood rounds. Mortar is shoveled onto the previous course of logs and the frame is pushed into the mortar and securely seated. Once the frame is in position, more mortar is added to each side and begin placing your rounds for the next course always running the mortar up past the halfway point of each round to lock it in place. I also mortared branches into a couple of the courses to act as built in perches, running the branches from one side of the coop to the other. Having thin walls meant that the necks and openings to the bottles are accessible on the inside of the coop--these also offer many perch possibilities since branches can be shoved into the bottle openings.
When I reached the finish height of my walls, I mortared two 2x4's into the top course. This served to lock the walls into position and act as a support for the roof. The two 2x4's were notched in the middle of the board so they would interlock in an X shape with 90 degree angles and retain their four inch depth. Metal lath was wrapped around the ends of the boards that were set in the mortar wall to make sure they would not have the ability to slip and move.
I would be glad to answer questions and provide tips not found in the books about cordwood construction. It took about two weeks of labor, morning till night, to complete the coop.
Thanks Steve for your detailed explanation of the construction of your coop. It's not only a work of art, it's also a wonderfully crafted example of a functional and secure home for a flock (I doubt that any predator would have any luck getting through those walls)! As Steve described, taking on this coop was a major undertaking, but he has years of experience as a plaster sculptor who creates flowing plaster interior spaces and public art. (Check out the Wave Wall at the Seattle Aquarium--it's his work!) He estimated the cost of the coop at around $500 (2X6's, plywood, glass, roofing materials, sand, cement and lime; the cedar trees were dropped off for free by a tree service after a big storm), but the estimated labor--for two weeks morning til night: $8000!--It pays off to have some awesome skills in a DIY project!
You can view more photos and videos of The Chicken Castle at the City Art Farm by visiting these links:
City Art Farm (facebook)
City Art Farm (website)
City Art Farm (YouTube)
Steve Irish (YouTube)
Cementitious Man (website)
Click on the link below for previous entries in the "Cool Coops!" series...
Do you have a "Cool Coop" you'd like to share? Email me at: RNickols@communitychickens.com
To view what else is happening at our Southwest Missouri property visit the garden-roof coop